Atiqa Odho’s Lighthearted Comment
Pakistani television icon Atiqa Odho recently made headlines with a witty remark during a private TV show. The seasoned actress, who has been part of the entertainment industry for over three decades, praised popular actor Danish Taimoor, calling him a “crush across generations.”
Speaking in a humorous tone, Odho said that if she could not be cast as Taimoor’s romantic lead, producers should at least consider her for the role of his mother. She added that television audiences are already familiar with storylines involving relationships between younger men and older women, so such a casting would not be entirely unusual.
Her remark immediately sparked laughter among her fellow guests, including renowned actresses Nadia Khan and Marina Khan, both of whom have also played influential roles in shaping Pakistani drama.
Reactions from Fellow Stars
Marina Khan jokingly added that if Danish Taimoor and Atiqa Odho were ever shown as a romantic pair in a drama, it would create “a storm” in the industry. Nadia Khan, on the other hand, pointed out that such a pairing would likely generate strong reactions, ranging from excitement to heavy criticism.
Responding to Nadia Khan, Marina Khan argued that audiences should be reminded that dramas are fictional stories, and not every on-screen relationship reflects real-life norms. This exchange highlighted the ongoing debate in Pakistani entertainment about how far creators can push cultural boundaries in storytelling.
Social Media Buzz
The short clip featuring Atiqa Odho’s playful complaint quickly circulated on social media platforms, attracting thousands of reactions. Many fans appreciated her humor and candidness, while others praised her confidence in addressing age-related stereotypes often seen in South Asian entertainment.
In Pakistan’s drama industry, actresses often face challenges once they reach a certain age, as younger female leads are typically favored. Odho’s comment, therefore, struck a chord with viewers who felt it shed light on the limitations mature actresses encounter in securing diverse roles.
Age and Casting in Pakistani Television
The discussion also tapped into a broader issue: the portrayal of women in South Asian dramas. While male actors frequently continue to play leading roles well into their 40s and 50s, older female stars are often restricted to motherly or secondary characters.
Atiqa Odho’s suggestion—half in jest—raises questions about whether Pakistani audiences are ready to embrace unconventional storylines, including relationships that challenge traditional norms. Although television worldwide has experimented with such narratives, South Asian media remains cautious due to cultural sensitivities.
For instance, dramas in India and Pakistan occasionally explore themes of significant age differences in relationships. However, these stories often attract controversy, with critics questioning their social impact. Supporters argue that such plots reflect real societal dynamics and encourage open discussion.
A Star with Lasting Influence
Atiqa Odho is no stranger to breaking barriers. Rising to fame in the 1990s with dramas like Ankahi and Sitara Aur Mehrunissa, she became a household name for her strong screen presence. Over the years, she has also ventured into entrepreneurship and social work, making her one of the most recognized figures in Pakistan’s cultural scene.
Danish Taimoor, meanwhile, is among the most popular actors of his generation. Known for his roles in hit dramas such as Ab Dekh Khuda Kya Karta Hai and Deewangi, he has built a reputation for versatility and charisma. His fan following extends beyond Pakistan, particularly in the Middle East and among South Asian diaspora communities.
Shifting Norms in Entertainment
Odho’s humorous remark, though light in nature, has sparked meaningful conversation online. As Pakistan’s drama industry continues to evolve, more viewers are questioning why older actresses cannot be cast in diverse roles beyond stereotypical portrayals.
The exchange between Atiqa Odho, Nadia Khan, and Marina Khan reflects a growing recognition that audiences are not monolithic. Younger viewers, especially those active on social media, often call for storylines that challenge established norms.
Whether or not Atiqa Odho ever appears on screen as Danish Taimoor’s mother—or something more surprising—the conversation she started highlights the tension between tradition and experimentation in Pakistani entertainment.
